When it debuted in 2021, Only Murders in the Building became the most-watched comedy premiere in Hulu history. That’s thanks in part to the chemistry between the cross-generational amateur sleuthing trio of Charles (Steve Martin), Oliver (Martin Short) and Mabel ( Selena Gomez), and the trend for savvy senior citizen sleuths. But the show’s popularity also comes down to its comic dexterity with true-crime tropes and smart, self-referential drollery. The combo seems a welcome respite for an audience steeped in murder TV, yet also suits the current mood, where daily news grows ever more dire. “Like wit and the comic, humour has in it a liberating element,” Freud wrote in the International Journal of Psychoanalysis in 1928. Deadly serious cases wrapped in the levity of a wisecrack — the quips and the catharsis — go together like salted caramel. Only Murders third season is now airing (on Disney+ in Canada), with guest stars Paul Rudd and Meryl Streep adding to the alternately goofy and deadpan proceedings.

The sleuthing neighbours at New York’s fictional Arconia apartment building (filmed at the storied real-life Belnord) have kindred spirits with the characters in the playful second season of The Afterparty (now on AppleTV+), where each of the episodes is a retelling of the events leading up to murder from a different character’s perspective. This time, the group of friends is at a wedding and each episode takes on the trappings of a different visual style — a Jane Austen-Regency romp, say, or a ’90s sexual thriller or indie romance film noir. It’s frothy while being genuinely suspenseful.

 

Mureder COmedies
Clockwise, from left: Elizabeth Perkins, Zach Woods, Poppy Liu, Vivian Wu, Ken Jeong, Zoë Chao and Sam Richardson in ‘The Afterparty. ‘Photo: Courtesy of Apple TV+

Likewise, the mismatched detective duo of the stealth hit Deadloch (on Prime Video),  an Australian murder comedy best described as what if Hot Fuzz and Letterkenny were written by women and set in Tasmania. The series’ working title was “Funny Broadchurch,” and Deadloch manages to thread that needle. With affection, it balances spoofing Nordic noir tropes, small town frictions and queer artistic communities, while delivering a seriously addictive thriller (with a side of canny social commentary on misogyny and male fragility, and dialogue that’s both laugh-out-loud hilarious and fiendishly clever).

 

Murder Comedies
Left to right: Madeleine Sami, Kate Box and Nina Oyama in ‘Deadbox.’ Photo: Courtesy of Amazon Prime

 

There are plenty of new crime and mystery novels that riff on the phenomenon of true crime podcasts (looking at you, Lisa Jewell’s None of This Is True), but fewer that pair homicide with this sort of outlandish hilarity. 

Television shows aren’t the murder mystery enthusiast’s only respite from relentlessly grim and gloomy atmospherics. British TV presenter Richard Osman, for example, has done much to elevate the profile of funny murder mysteries with the sardonic tone and comedic set pieces of his globally bestselling Thursday Murder Club cosies (The Last Devil to Die, fourth in the series, comes out Sept. 19). There are others, however, now working in the beloved tradition of comedic suspense writers, like Charles Portis, Chester Himes and Janet Evanovich. Here are some notable recent books that combine a sense of humour and a sense of peril.

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